juggernautofsin:

freedoritos:

theaztecthrasher:

sa-gal:

pinchblog:

Sex tip: If he’s pressuring you to do anal, buy a dildo the same size as his dick, and ask him to do it first. If he’s scared of the pain- case closed. There’s absolutely no reason that he should expect it to feel any differently for you. If he says that it would be emasculating, belittling or ‘gay’, then that man is a misogynistic homophobe, and you better run for the hills as fast as your legs can take you.

I’m screaming

Take it like a man

What if he says yes

then you start making memories

n0chillvibes:

richparadise:

mango-blogs:

takingbackourculture:

whatisthat-velvet:

babybutta:

whitegirlsaintshit:

shialabae:

brownglucose:

imsoshive:

She on beat like a muhhfucka

image

shoutout to her for being so positive while going through chemo

FUCK ME UP MARY BETH

GET IT BITCH!!!! YESSS!!!! FUCK IT UP I LOVE IT!!!!!

The hood fucks with her heavily.

Ok but why she so smooth with it?
I love this

Damn!!!!! White people don’t have rhythm and can’t dance because she took it all at birth!!!

– Jess

She’s adorable lol she got a nice shape too👏👏

I need an update on her asap!

She’s so cute omg

6qubed:

crystalsoulslayer:

alphahoennomega:

klubbhead:

electricbreeze:

Schrödinger’s boys

FUCK

What about cracking open a cold milkshake

As we all know, the milkshake brings the boys to the yard. The presence of the boys is a prerequisite for the cracking open of a cold one, but cold ones do not have any inherent boy-attracting abilities. Milkshakes, however, do. All else being equal, the boys would proceed to the milkshake yard. While it is possible to announce the presence of cold ones in the hope of attracting some boys, the pull of the milkshake is much more powerful by comparison.

mind you, all of this nonsense hinges on whether or not the boys are back in town

kvothe-kingkiller:

violent-darts:

the-desolated-quill:

anal-sneeze:

A man is driving down the road and breaks down near a monastery. He goes to the monastery, knocks on the door, and says, “My car broke down. Do you think I could stay the night?”

The monks graciously accept him, feed him dinner, even fix his car. As the man tries to fall asleep, he hears a strange sound.

The next morning, he asks the monks what the sound was, but they say, “We can’t tell you. You’re not a monk.”

The man is disappointed but thanks them anyway and goes about his merry way.

Some years later, the same man breaks down in front of the same monastery.

The monks accept him, feed him, even fix his car. That night, he hears the same strange noise that he had heard years earlier.

The next morning, he asks what it is, but the monks reply, “We can’t tell you. You’re not a monk.”

The man says, “All right, all right. I’m *dying* to know. If the only way I can find out what that sound was is to become a monk, how do I become a monk?”

The monks reply, “You must travel the earth and tell us how many blades of grass there are and the exact number of sand pebbles. When you find these numbers, you will become a monk.”

The man sets about his task. Forty-five years later, he returns and knocks on the door of the monastery. He says, “I have traveled the earth and have found what you have asked for. There are 145,236,284,232 blades of grass and 231,281,219,999,129,382 sand pebbles on the earth.”

The monks reply, “Congratulations. You are now a monk. We shall now show you the way to the sound.”

The monks lead the man to a wooden door, where the head monk says, “The sound is right behind that door.”

The man reaches for the knob, but the door is locked. He says, “Real funny. May I have the key?”

The monks give him the key, and he opens the door.

Behind the wooden door is another door made of stone.

The man demands the key to the stone door.

The monks give him the key, and he opens it, only to find a door made of ruby.

He demands another key from the monks, who provide it.

Behind that door is another door, this one made of sapphire.

So it went until the man had gone through doors of emerald, silver, topaz, and amethyst.

Finally, the monks say, “This is the last key to the last door.”

The man is relieved to no end.

He unlocks the door, turns the knob, and behind that door he is amazed to find the source of that strange sound.

But I can’t tell you what it is because you’re not a monk

Originally posted by disneyasastrology

BWAHAHAHAHAH. 

the way i learned this, it was always told through spoken word. And you’d do the door thing for ages. AGES. literally just making up any old material. ‘behind the foam door is a door made of spinach’ that kind of shit. Go on until whoever is listening has already begged you to stop and has now gone on to pleading, clutching your shirt on their knees pleading. And when you finally said the last line? People went fucking nuts Like there was a good chance of just getting the teeth knocked out of you after telling that joke.

A friend of mine did that shit for 30 minutes on a camp once. The entire fucking bus just exploded in anger when she finished. It was a fucking massacre. 

evenmoreuserboxes:

titaniumcatnip:

You forgot the “not”

no, i didn’t, actually.

this site is so goddamn anti-recovery. i’ve been spending years trying to get better but everyone’s mindset of “if you spend every hour of every day wanting to kill yourself you’re valid uwu” was just making my health worse. everyone on this site would be doing much better if they would stop being so negative.

it’s as if you want to stay mentally ill. you would think that people so miserable would want their lives to improve. if you want to get any better, stop rejecting every bit of positivity you see and forcing your toxic mindset on others.

christiancgtomas:

midfreakquency:

omg-sweetlunlikelycollector-me:

westafricanman:

<b>Unreal</b>

Amazing

Can we get a name???

This is Chinese artist, Luo Li Rong

Here’s a snippet about her from this article (that also features more photographs of her work, including this sculpture):

Rong has pursued sculpting since an early age. She studied art at the Academy of Fine Arts in Beijing, then under the tutelage of sculptor Wang Du, and later she “immersed herself” in figurative sculpture techniques used by European artists in the Renaissance and Baroque periods. Their sense of femininity plays a defining role in Rong’s contemporary works, and the stylistic guidelines help carry on the tradition of realistic sculptures in art.